Speaking of roses or rose trellises, Tintoretto’s painting of Susannah and the Elders is part of the Boston Museum of Fine Arts Titian, Tintoretto, Veronese: Rivals in Renaissance Venice” exhibit, which ends in August 16, 2009. Visit the museum to see to learn how the rivalry between these three Venetians master helped shape the “Venetian style” “through loose technique, rich coloring, and often pastoral or sensual subject matter. These elements inspired countless later artists, promoting a Venetian current in painting up to the twentieth century.”
I suppose one can be too rich or too thin. These are not my areas of expertise. One thing I know for sure is that one can never have too many roses. As I have made abundantly clear in previous posts, my preference is for the French roses of the Victorian era. That is not to say that I am indifferent to all other roses. The coral and yellow roses that blend so well with the blue of delphinium, geranium, lavender and perovskia and are somewhat rare among the older varieties. I am particular fond of Alchymist, but it blooms much too early in my garden and since it is not remontant, there is no hope of matching it with my favorite blue perennials.
Alas, for the garden. I spend my time sending interview requests to writers I admire. My interview with Canadian author Louise Penny is up at http://www.richtexts.blogspot.com/I love her crime fiction books. They are richly layered, dense with yummy tidbits and surprises as the most delicious cake. Plus, she is a woman of elegant manners and wit. I feel lucky to have had the chance to communicate with her. Next, I will be talking with author Sujata Massey whose Rei Shimura novels are vastly entertaining and delightfully fresh.
1. Which part of you, if any, does Rei Shimura represent?
I would say the spirited, curious side; I love to travel and research and meet new people.
2. Both you and Rei Shimura seem to share a sense of dislocation, of not being completely at home anywhere. Is this a hindrance or a help for a writer
I do wish I felt more comfortably in sync with the places I live; it always seems that only after I leave a place, do I fully appreciate it. I don’t think this is a hindrance necessarily. What does hinder me is not having a desire to write about the places where I have permanently lived in the US because I see them as comfortable but rather pedestrian, without any particular history that I feel compelled to explore. The US of course has a fantastic history, it’s where you look for it that matters, but I think there are a lot of writers already delving into these topics.
3. While Rei does not feel rooted in either the United States or Japan, her family in both countries anchor and sustain her. Is this contradictory?
I think it is quite common for people with relatives abroad to hunger for those places and to be treated warmly by those relatives, although they may not understand one’s “foreign” ways. For instance, in India I eat a lot less than most adults, even though I enjoy the food, and that troubles people.
4. Do you have a particular audience in mind when you write?
I had originally thought my audience would be primarily female, but it’s likely 40% male, which is great. I have a lot of teen readers in Europe; I like to think because the education system there is so good! I also have wonderful senior citizen fans who travel a lot and can comment directly on their own experiences in wartime and post-war Japan. These people are treasures whose stories must be recorded.
5. Rei has grown from self-involved shopaholic to a more rounded, other-oriented character. What do you foresee for her as you continue the series?
Two answers to this question. First of all, there are a couple of books in which fashion itself forms the mystery; these might make her seem like a shopaholic, but I was interested in presenting how otherwise people can binge shop. If you read the whole series you will see she wears a lot of vintage clothes from her mother and fleamarkets in Japan, and in the end is sewing her own clothes from vintage yukata kimono fabrics. There is a section of books in the middle of the series–I’d say The Bride’s Kimono through The Pearl Diver–which are very much about her relationships with others and growing as a woman. The most likely final book in the series was Shimura Trouble, which came out in 2009–though I reserve the right to pick up and start writing about her again if the fancy strikes.
6. You are an Agatha award winner. Does that influence your work?
I won once and lost it 3 other times, so I don’t think it’s played much of a role in my career or the type of books I write. The Agatha is a fan-nominated award based on popular vote, and usually the book’s lead character is female, and she doesn’t swear and there is no excessive violence. There’s also not supposed to be graphic sex in the books, but I’ve “gotten away with it” in every book, almost!
7. Who is your ideal reader?
They are living breathing and have: library cards, relationships with independent booksellers, and B&N and Borders member cards, too!
8. Who is your toughest critic?
I think I and every other writer would tell you that they themselves are the critics. The critical self keeps one from stretching, daring, and chancing–which is unfortunate. I fight my inner critic almost daily.
9. You are balancing family life with a demanding career. How has motherhood affected your professional life?
It has definitely slowed down the time I take to write; and has kept me from the book promotion trail. However, it has helped me make choices about what’s really important, and I would rather not write, than not have a family. I am thrilled to have both.
10. If you could have one wish, as writer, what would that be?
To write something that changes the way people think.
11. Joyce Carol Oates sets great store by the opening sentence in a book. What is the opening line in your favorite book?
Don’t know. There have been so many great lines. I usually take a very long time writing the first line and change it two dozen times before going back to the original.
12. Mono no aware, translated as the ah-ness of things or a sensitivity to ephemera, is said to be the essence of Japanese beauty aesthetics. How does your Rei Shimura series reflect that ?
Rei adores small things, whether it’s a cup of tea with an unfolding cherry blossom in it, or a cute phrase on a child’s backpack. Little treasures make daily life worth living.
13. How does she relate to Miss Marple?
She would be happy to take Miss Marple on a tour around Tokyo!
Playwright John Guare told me not to ” a lumpen, my dear” when I asked him a question he did not like. Joyce Carol Oates was graciousness personified when she I interviewed her for a provincial newspaper. Two writers, two different stytles, two different approaches. I remember Guare’s cowboy boots more clearly than I remember the lecture he delivered at the local university, but i cannot forget the comment he addressed to one of the students in the audience whose mind he compared to worn out jockey shorts elastic. During one of her lecture, Oates contended courteously with the high pitched wailing of a baby whose parents thought he was old enough to begin his career as a culture vulture.